A tender portrait of Armand McArthur, the last fluent speaker of the Nakota language in Pheasant Rump First Nation, Treaty 4 territory in southern Saskatchewan. “When you don’t know your language or your culture, you don’t know who you are,” explains Armand. -SC
In the early 1960s, when America was brimming with racial tension and Martin Luther King was marching in Alabama, Jack O’Dell was at his side. At age 94, O’Dell eloquently recounts his experiences and views—from his early membership in the Communist Party to his opinions on the current state of racial affairs in the US, as well as the significance of Black Lives Matter. -PP
Reverend Roland Gordon creates a monumental collage comprised of thousands of photographic portraits, newspapers, and magazines cutouts, providing an alternative visual history of the black community in San Francisco. -SC
White Ravens takes us on a remarkable journey to a place of astonishing beauty, but the film maintains its focus on the people who call this extraordinary place home. Their dedication and deep ties to the land give them the strength to fight a Herculean battle. The film shows that the fight is not over for the Haida people, nor for other Indigenous people all over the world.
The Paiter Suruí people, whose territory is located in the Brazilian Amazon, didn’t have contact with the outside world until the late 1960s. Since then their traditional way of life has been threatened by the encroachment of Western values, religion, medicine, and technology. Perpera, an elder who works as a doorman at the local church, recounts how he stopped his shamanism after the village priest denounced the practice as connected to the devil. But Perpera can still speak to the spirits of the forest, and when illness strikes, the community turns to him, seeking his ancestral knowledge.
Roller Dreams is a fascinating and unexpected story of a utopian scene created by African Americans in the late 1970s. Roller skate dancing briefly blossomed into a genuine national craze, but when Hollywood represented the culture, it was white actors who played all the roles and white dancers who took the credit.