With the rise of populism, extremism, racism, and indifference, democracy is in crisis and nobody seems able to find a cure. Director Claudia Tosi explores how this crisis unfolds in Italy through the battles of two remarkable women, Manuela Ghizzoni and Daniela DePietri, both members of the country’s Democratic Party.
In 1987, the sudden death of the head of Italy’s largest publishing house triggered a battle of succession between two of the country’s most aggressive businessmen: Silvio Berlusconi and Carlo De Benedetti. Four years later, Berlusconi is charged with corruption.
Corleone delivers a Shakespearean storyline about the rise and fall of Teodoro Totò Riina, the real-life godfather who was born into the same village as Vito Corleone played by Marlon Brando in Francis Ford Coppola’s masterpiece, The Godfather.
Filmmaker Jewel Maranan follows the plight of four families living in the impoverished Manilan district of Tondo as the government forces their resettlement, casting a critical look at the everyday violence that precedes the construction of a globalized city.
Martina is a visual artist living in Italy. Mahmoud is a nuclear engineering student living in Libya. An unlikely friendship develops between the two when Martina becomes interested in documenting her grandparents’ history in Tripoli, where they lived before fleeing the country as a result of Muammar Gaddafi’s 1970 coup d’état.
Meet Mymy, a young medical student who measures her body’s chemical burden from over 27 different cosmetic products. With exclusive access to scientists, lawyers, and whistle-blowers, Toxic Beauty critically examines the global cosmetic industry.
In his debut feature, director Ian Soroka creates an evocative portrait of the southern Slovenian landscape that facilitated what is considered to be Europe’s most effective resistance movement during World War II.
Propaganda has been harnessed as a powerful weapon to shape worldviews through compelling images and narratives. In an era of fake news and alternative facts, director Larry Weinstein asks the question: How do we know what we know?
Giovanni Donfrancesco’s extensive portrait of Piero Bonamico gives flesh to one of the darkest hours of Italian history. This perpetrator’s narrative of rising tension, violence and remorse is a journey down the winding road of memory that speaks eerily to the present day.