Resilience in the face of disaster is at the heart of Shannon Walsh’s expansive study. Shot across five different countries, Walsh introduces us to five courageous women, each encountering their own form of crisis.
Indigenous, Black and People of Colour communities are disproportionately underrepresented in all media. How do past images unearthed from personal and institutional archives come to shape new stories?
Few events in recent Canadian history have sparked as much media attention and outrage as the death of Colten Boushie, a young Cree man who was murdered on a farm in rural Saskatchewan in 2016. Tasha Hubbard’s essential film follows his family’s fight for justice while casting an unflinching look at systemic racism in Canada.
Shooting Indians begins with Ali Kazimi, a newly arrived student in Canada, unraveling the hidden history of the land he has chosen as his new home after taking interest in the career of his friend and colleague, Iroquois photographer Jeffrey Thomas.
Directed by her youngest son Hepi Mita, Merata: How Mum Decolonised the Screen is a tender posthumous tribute to his mother’s life and career. A notorious agitator, her films bear witness to the injustice Māori people face in New Zealand, providing a voice for Māori people and especially for Māori women.