There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives.
Jacob Smith, Jon D. Erickson and Kathryn Goldman |
Five people — including a school bus driver from LA, an anti-poverty activist from West Virginia, the organizers of Democracy Spring, and Senator Bernie Sanders — all come together in an intersectional coalition that offers a glimmer of hope in these dark days.
The myth of the mermaid spans the globe from the Amazon to the fjords of Scandinavia. Throughout history, the figure of the half-fish, half-human has surfaced with regularity, from the three-thousand- year-old Assyrian figure of Atargatis to the Mami Wata water spirits of West Africa. Modern mermaids are just as diverse, as Ali Weinstein’s charming new film illustrates.
Recalling the work of Portuguese master Pedro Costa, in particular his Fontainhas trio (Ossos, In Vanda’s Room, and Colossal Youth) Little Go Girls has the same almost magisterial quality of image. The women and girls who ply their trade initially regard de Latour’s camera with benign indifference. But the relationship between the women and the filmmaker gradually grows more trusting.
Along the sidewalks and cafés of Seine-Saint- Denis, groups of young men, dressed in hoodies and streetwear, talk with remarkable bluntness and honesty about love, desire, sex, and race. As one man says “White people experience love They were taught how.” Made with a shattering level of intimacy, Alice Diop’s film is both a cinepoem and a piercing statement on the nature of disenfranchisement.
Manifesto is the flagship in our Spotlight on Troublemakers. It is the good ship trouble that carries a pirate crew of muckrakers, disturbers of the peace, radicals, revolutionaries, and, of course, cinéastes, embodied in the words of this century’s great cultural and political manifestos. Rabid dissent and gonzo defiance are given voice by actress Cate Blanchett in the guise of a baker’s dozen of characters.
A more fitting film for our electoral moment is hard to imagine than Chris Marker’s Chats perchés (The Case of the Grinning Cat). The film has the serendipitous timing that is the hallmark of great art: it is always relevant, and au courant — sometimes painfully so.