“Who is Chris Marker?” — is the question posed by the directors/ interlocutors, and every answer reveals a different reality. Some of the recollections are funny and bittersweet, such as Wim Wenders getting blind drunk with Marker at a bar in Tokyo.
Two of Chris Marker’s remarkable film portraits, including his masterful and deeply personal analysis of the work of Andrei Tarkovsky. Edited some twelve years after Tarkovsky’s death for the collection Cinéma, de notre temps (Cinema of Our Times), Une Journée d’Andrei Arsenevitch (One Day In The Life Of Andrei Arsenevich) is an extraordinary love letter from one filmmaker to another, and a memento mori of the most profound kind.
Here is Chris Marker’s magnum opus in all its ferocious intelligence and scale Originally released in 1977, and reedited in 1996, the rise and fall of the Left is ostensibly Marker’s subject, the great political revolutions of the 60s and 70s, totemic figures like Che Guevara, Fidel Castro, composed like a heaving orchestra of archival material, demonstrations, occupations, and blood in the streets.
The title, translated as “the entrance exam,” is an in-depth and intimate look at the students looking to gain a place in La Fémis, one of the most famous and prestigious film schools in the world (Simon herself was the Head of Directing Studies). As the budding cinéastes struggle to find a place, the narrative spends a good deal of time with their interlocutors, pulling back the curtain to reveal the depth of seriousness and care that is extended to the students.
The legendary 13-part series, commissioned by Arte and the Onassis Foundation (that kept Marker’s work unavailable for twenty years), alights at DOXA in its first three episodes Interviews were filmed in Tbilisi, Athens, Paris, Berkeley, and Tokyo. The cast of character is equally expansive with composers, filmmakers, philosophers, and friends including Iannis Xenakis, Michel Serres, Cornelius Castoriadis, George Steiner, Oswyn Murray, Michel Jobert, and Elia Kazan. But what is most startling are the ideas examined.
A shorthand study of the mythology of numbers from 1 to 12, where scientific tradition is adopted, and then eschewed for rumours, legends and defunct theories from across the ages. Just like Hans Richter nearly 100 years ago, we discover that everything turns, everything revolves and everything feels the deep score of time. -SC
Manifesto is the flagship in our Spotlight on Troublemakers. It is the good ship trouble that carries a pirate crew of muckrakers, disturbers of the peace, radicals, revolutionaries, and, of course, cinéastes, embodied in the words of this century’s great cultural and political manifestos. Rabid dissent and gonzo defiance are given voice by actress Cate Blanchett in the guise of a baker’s dozen of characters.
It starts with a pulse. A single beat of sound From a generic Montreal subway platform to the most far-flung parts of the planet, Elsewhere explores the human passion for movement and the undeniable siren song of travel. This is a film that is felt, as much as witnessed, pushed along by a propulsive soundtrack and zippy animation.