There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives.
From Qatar to Quebec, Serbia to Ohio, this collection of films exposes sites of personal and emotional history. A variety of film and video techniques push the formal and narrative boundaries of cinema. -SC
It starts with a pulse. A single beat of sound From a generic Montreal subway platform to the most far-flung parts of the planet, Elsewhere explores the human passion for movement and the undeniable siren song of travel. This is a film that is felt, as much as witnessed, pushed along by a propulsive soundtrack and zippy animation.
Part ode, part critique, Bart Simpson’s film Brasilia: Life After Design takes the viewer on a sweetly surreal and slightly melancholic tour of a strange and monumental cityscape. The camera pans across sweeping urban vistas, peers through archways and down the long central axis, capturing images of random city dwellers spaced like birds on a wire around the perimeter of the enormous spaces between buildings.