Marie Clements’ musical documentary is simultaneously a piece of BC First Nations history, a call for revolution and resolve, and a portrait of a people who have retained their power and identity through community and activism.
Dance, that most protean form of human communication, is given three wildly innovative outlets in this trio of short films. Dancers commune with their animal spirits, opera gets spooky, and dance meets finance in the streets of London town.
In London’s bleak financial district, traders, bankers, and hedge fund managers describe an atavistic society, blood red in tooth and claw. As they move through the city streets, bodies become a metaphor for the extremity of an industry that twists and bends human nature into torturous form. -DW
If people dream of becoming animals, then perhaps animals also harbour fantasies of a human existence. Such is the premise of Brian M. Cassidy and Melanie Shatzky’s wild new film. What blossoms at a veterinarian’s office as dogs, pigs, and cats are put under is a vivid, sometimes shocking dreamscape. -DW