Transit Dubai
Friday May 22
7:30 PM   Inside Hana’s Suitcase  
Saturday May 23
12:00 PM   A Dream for Kabul  
12:30 PM   Shooting Women  
1:30 PM   Forum: Women Behind the Camera  
2:00 PM   Shots in the Dark  
4:30 PM   Robinsons of Mantsinsaari  
4:30 PM   Hair India  
6:30 PM   The Queen and I  
7:00 PM   Milking the Rhino  
9:00 PM   Youssou N’Dour: I Bring What I Love  
9:00 PM   Nobody’s Perfect  
Sunday May 24
12:00 PM   …and music  
12:30 PM   Ex-voto for Three Souls  
2:00 PM   The Art of the Short Documentary  
2:00 PM   Eternal Mash  
4:00 PM   Shining Stars / Maytal  
4:30 PM   The Meaning of Life  
6:30 PM   Yodok Stories  
7:00 PM   Soneros: The Sound of the River  
8:30 PM   Forgetting Dad  
9:00 PM   7915 km  
Monday May 25
1:00 PM   Inside Hana’s Suitcase  
3:30 PM   Tulku  
6:00 PM   Seeking Refuge  
7:00 PM   Who The Jew Are You?  
8:30 PM   Transit Dubai  
9:00 PM   Pulling John  
Tuesday May 26
1:00 PM   Chasing Wild Horses  
3:30 PM   The Memories of Angels  
6:30 PM   Waterlife  
7:00 PM   Word Within the Word  
9:00 PM   I Want to Grow Old in China  
9:00 PM   The Dungeon Masters  
Wednesday May 27
1:00 PM   To The Tar Sands  
3:00 PM   Here Are The News  
6:30 PM   Mirage of El Dorado  
7:00 PM   Necrobusiness  
8:30 PM   The Sixties  
9:00 PM   The One Percent  
Thursday May 28
1:00 PM   Afghan Girls Can Kick  
3:30 PM   The Sweetest Embrace  
6:30 PM   Devil’s Bargain  
7:00 PM   In a Dream  
9:00 PM   Say My Name  
9:00 PM   American Swing  
Friday May 29
1:00 PM   Land of Oil and Water  
3:30 PM   Forum: Where is the Line?  
6:30 PM   Rough Aunties  
7:00 PM   The Tree Lover  
9:00 PM   The Garden  
9:00 PM   Carmen Meets Borat  
Saturday May 30
12:00 PM   Jehad In Motion  
12:30 PM   Upstream Battle  
2:00 PM   Forum: The Ecology of Films  
2:30 PM   Welfare  
4:00 PM   My Mother’s Farm  
7:30 PM   Act of God  
Sunday May 31
12:00 PM   The Garden  
12:00 PM   The One Percent  
2:00 PM   Who The Jew Are You?  
2:00 PM   The Queen and I  
4:00 PM   Afghan Girls Can Kick  
4:00 PM   Youssou N'Dour: I Bring What I Love  
       

 

 

Transit Dubai
Director: Ineke Smits, The Netherlands, 2008, 72 minutes

Monday May 25 | 8:30PM | Pacific Cinémathèque

North American Premiere

“There seems to be this attitude inside of Dubai that anything is possible. People come here and it’s like the new America... You come here to make your dreams come true.”

– Roberto Lopardo, photography teacher

In the heart of the Middle East, a modern city has rapidly become the tourism and high-end real estate development centre of the area. For many, Dubai holds the promise of boundless opportunity and unprecedented economic growth. But no city can exist without a population, and Dubai’s population is unique; more than 80% of its inhabitants are temporary immigrants of European, Asian, American as well as Middle Eastern origin.

Whether it be to earn fast money, to spend a life of exclusivity, to labour 7 days a week to support the family home, or to live under liberties afforded by a more modern, morally flexible Middle Eastern city, they all eventually want to go home. Everyone, except for the few locals who have no choice but to watch as their hometown grows into whatever the future may bring. Swedish women explain how their lives have changed since moving to Dubai; they now have time to look after their children since local women clean their houses and there’s no financial reason for them to work outside the home. But they aren’t necessarily happy.

Western influences have changed the locals too, with things like Bluetooth-enabled flirting penetrating a once-solid sexual divide. Through the eyes of four photography students, we step through the glittering façade of a city that, despite its plush beachfront villas, ultra-luxe retail, and incredible artificial islands, might just be a mirage.

Director’s Biography
Ineke Smits studied Fine Arts at the Rotterdam Art Academy, then specialised in directing at the National Film and Television School in England. She completed her directing degree in 1993. In 2002 she received a Nipkow Fellowship to work in Berlin, and in 2004 she developed the first draft of The House of my Fathers at the Binger Institute in Amsterdam. In 2004 she founded production company Volya Films with Denis Vaslin. For 12 years Ineke has been working on a regular basis in Georgia. Aside from directing and writing fiction and documentary films, she is a script advisor.

 

Screening Partner

Downtown Vancouver Business Association

 

Community Partner

Planning Institute of BC

 

 

 
 

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