The Queen and I
Friday May 22
7:30 PM   Inside Hana’s Suitcase  
Saturday May 23
12:00 PM   A Dream for Kabul  
12:30 PM   Shooting Women  
1:30 PM   Forum: Women Behind the Camera  
2:00 PM   Shots in the Dark  
4:30 PM   Robinsons of Mantsinsaari  
4:30 PM   Hair India  
6:30 PM   The Queen and I  
7:00 PM   Milking the Rhino  
9:00 PM   Youssou N’Dour: I Bring What I Love  
9:00 PM   Nobody’s Perfect  
Sunday May 24
12:00 PM   …and music  
12:30 PM   Ex-voto for Three Souls  
2:00 PM   The Art of the Short Documentary  
2:00 PM   Eternal Mash  
4:00 PM   Shining Stars / Maytal  
4:30 PM   The Meaning of Life  
6:30 PM   Yodok Stories  
7:00 PM   Soneros: The Sound of the River  
8:30 PM   Forgetting Dad  
9:00 PM   7915 km  
Monday May 25
1:00 PM   Inside Hana’s Suitcase  
3:30 PM   Tulku  
6:00 PM   Seeking Refuge  
7:00 PM   Who The Jew Are You?  
8:30 PM   Transit Dubai  
9:00 PM   Pulling John  
Tuesday May 26
1:00 PM   Chasing Wild Horses  
3:30 PM   The Memories of Angels  
6:30 PM   Waterlife  
7:00 PM   Word Within the Word  
9:00 PM   I Want to Grow Old in China  
9:00 PM   The Dungeon Masters  
Wednesday May 27
1:00 PM   To The Tar Sands  
3:00 PM   Here Are The News  
6:30 PM   Mirage of El Dorado  
7:00 PM   Necrobusiness  
8:30 PM   The Sixties  
9:00 PM   The One Percent  
Thursday May 28
1:00 PM   Afghan Girls Can Kick  
3:30 PM   The Sweetest Embrace  
6:30 PM   Devil’s Bargain  
7:00 PM   In a Dream  
9:00 PM   Say My Name  
9:00 PM   American Swing  
Friday May 29
1:00 PM   Land of Oil and Water  
3:30 PM   Forum: Where is the Line?  
6:30 PM   Rough Aunties  
7:00 PM   The Tree Lover  
9:00 PM   The Garden  
9:00 PM   Carmen Meets Borat  
Saturday May 30
12:00 PM   Jehad In Motion  
12:30 PM   Upstream Battle  
2:00 PM   Forum: The Ecology of Films  
2:30 PM   Welfare  
4:00 PM   My Mother’s Farm  
7:30 PM   Act of God  
Sunday May 31
12:00 PM   The Garden  
12:00 PM   The One Percent  
2:00 PM   Who The Jew Are You?  
2:00 PM   The Queen and I  
4:00 PM   Afghan Girls Can Kick  
4:00 PM   Youssou N'Dour: I Bring What I Love  
       

 

 

The Queen and I
Director: Nahid Persson Sarvestani, Germany/Sweden/Egypt/France/USA, 2008, 89 minutes

Saturday May 23 | 6:30 PM | Vancity Theatre
Advance tickets sold out. Rush tickets may be available at the door.

Sunday, May 31 | 2:00 PM | Pacific Cinémathèque
Advance tickets sold out. Rush tickets may be available at the door.

Canadian Premiere

In her award-winning documentary Prostitution Behind the Veil, Nahid Persson Sarvestani expressed fierce criticism of the position of women in her native country, Iran. This drove the Islamic regime to accuse the leftist documentary-maker of monarchist sympathies. The reality is, however, that Sarvestani was a revolutionary who helped overthrow the monarchy in the 1979 revolution.

In reaction to the reprimands, she decided to make a film about Farah Pahlavi: the last Iranian queen, widow of the Shah of Iran, her adversary who, like herself, lives in exile abroad.

This leads to a fascinating encounter between two women, with clashing political visions, who develop an improbable friendship over two years of filming. During that period, the two confront each other about their pasts, question their former beliefs, and share their grievances.

However, when the queen finds out that Sarvestani was a communist (and hadn’t disclosed that), the filming stopped for six months. After Farah sees the trailer and approves, shooting resumes.

Perhaps out of fear that the 70 year-old former queen will refuse further cooperation, Sarvestani doesn’t ask confrontational questions about the Shah’s heartless regime. She also feels conflicted about her growing affection for a woman whose husband she so vehemently opposed.

In the end, the unusual relationship grows between the two as they realize they have much in common. They are two strong women who have risen above hardships to continue evolving towards a positive future.

Director’s Biography
Nahid Persson Sarvestani was born and raised in Iran. In Sweden, she began formalized study of television and film production and in 2003 attended Dramatiska Institutet. She has made films in Iran under dangerous conditions, among them Prostitution Behind the Veil, an Emmy-nominated documentary for which the Iranian authorities detained her for more than three months. This and other films have made Sarvestani the most award-winning documentary filmmaker in Swedish history.

 
 

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