Carmen Meets Borat
Friday May 22
7:30 PM   Inside Hana’s Suitcase  
Saturday May 23
12:00 PM   A Dream for Kabul  
12:30 PM   Shooting Women  
1:30 PM   Forum: Women Behind the Camera  
2:00 PM   Shots in the Dark  
4:30 PM   Robinsons of Mantsinsaari  
4:30 PM   Hair India  
6:30 PM   The Queen and I  
7:00 PM   Milking the Rhino  
9:00 PM   Youssou N’Dour: I Bring What I Love  
9:00 PM   Nobody’s Perfect  
Sunday May 24
12:00 PM   …and music  
12:30 PM   Ex-voto for Three Souls  
2:00 PM   The Art of the Short Documentary  
2:00 PM   Eternal Mash  
4:00 PM   Shining Stars / Maytal  
4:30 PM   The Meaning of Life  
6:30 PM   Yodok Stories  
7:00 PM   Soneros: The Sound of the River  
8:30 PM   Forgetting Dad  
9:00 PM   7915 km  
Monday May 25
1:00 PM   Inside Hana’s Suitcase  
3:30 PM   Tulku  
6:00 PM   Seeking Refuge  
7:00 PM   Who The Jew Are You?  
8:30 PM   Transit Dubai  
9:00 PM   Pulling John  
Tuesday May 26
1:00 PM   Chasing Wild Horses  
3:30 PM   The Memories of Angels  
6:30 PM   Waterlife  
7:00 PM   Word Within the Word  
9:00 PM   I Want to Grow Old in China  
9:00 PM   The Dungeon Masters  
Wednesday May 27
1:00 PM   To The Tar Sands  
3:00 PM   Here Are The News  
6:30 PM   Mirage of El Dorado  
7:00 PM   Necrobusiness  
8:30 PM   The Sixties  
9:00 PM   The One Percent  
Thursday May 28
1:00 PM   Afghan Girls Can Kick  
3:30 PM   The Sweetest Embrace  
6:30 PM   Devil’s Bargain  
7:00 PM   In a Dream  
9:00 PM   Say My Name  
9:00 PM   American Swing  
Friday May 29
1:00 PM   Land of Oil and Water  
3:30 PM   Forum: Where is the Line?  
6:30 PM   Rough Aunties  
7:00 PM   The Tree Lover  
9:00 PM   The Garden  
9:00 PM   Carmen Meets Borat  
Saturday May 30
12:00 PM   Jehad In Motion  
12:30 PM   Upstream Battle  
2:00 PM   Forum: The Ecology of Films  
2:30 PM   Welfare  
4:00 PM   My Mother’s Farm  
7:30 PM   Act of God  
Sunday May 31
12:00 PM   The Garden  
12:00 PM   The One Percent  
2:00 PM   Who The Jew Are You?  
2:00 PM   The Queen and I  
4:00 PM   Afghan Girls Can Kick  
4:00 PM   Youssou N'Dour: I Bring What I Love  
       

 

 

Carmen Meets Borat
Director: Mercedes Stalenhoef, The Netherlands, 2008, 85 minutes

Friday May 29 | 9:00PM | Vancity Theatre

In Carmen Meets Borat, director Mercedes Stalenhoef follows the life of 17 year-old Carmen. She lives in a gypsy village in the mountains of Romania, where the men spend their days tying one on and exchanging coarse words in her father’s bar. Carmen works daily in her father’s business. At home, she watches a Spanish soap opera and dreams of a better life in Spain, where the men are romantic and decent.

Her plan to emigrate falls to pieces when an American film crew descends on her village to shoot Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. The villagers cooperate on what they believe is a documentary, however, the film depicts the villagers as primitive caricatures supposedly from Kazakhstan. Carmen’s grandfather unknowingly plays the part of a backstreet abortionist and poses for the camera with a welding apparatus. Borat embraces a woman he introduces as his sister and brags about her status as the fourth best whore in Kazakhstan. The villagers don’t understand a single word of English and laugh in good faith into the camera.

As soon as they find out that the English director has made fools of them, they are outraged. When the film is released, the world press throws itself on the village. The chaos is made complete when an American lawyer holds out the prospect of a $30 million insurance claim to the villagers.

He persuades Carmen’s father, grandfather, and the mayor to sue Twentieth Century Fox for money that could be used to improve the impoverished village. The film culminates with the three men traveling to meet with the executives at Twentieth Century Fox. Will the village win their case or is this just another westerner exploiting them? Will Borat himself apologize?

Director’s Biography
Netherlands filmmaker Mercedes Stalenhoef made films for Amnesty International from 1992 to 1995, when she started making independent films. Her credits include: Clean Clothes, I Just Take My Toys With Me, I Never Want To Be Famous and Carmen Meets Borat.

 

 

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