Marie Clements’ musical documentary is simultaneously a piece of BC First Nations history, a call for revolution and resolve, and a portrait of a people who have retained their power and identity through community and activism.
There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives.
Discover dynamic Indigenous voices through films made by First Nations youth from coast to coast. DOXA and VPL are happy to copresent an eye-opening program of curated fi lms by Wapikoni Mobile that will reveal unique stories, incredible talent, and powerful voices throughout Canada’s Indigenous communities.
Jacob Smith, Jon D. Erickson and Kathryn Goldman |
Five people — including a school bus driver from LA, an anti-poverty activist from West Virginia, the organizers of Democracy Spring, and Senator Bernie Sanders — all come together in an intersectional coalition that offers a glimmer of hope in these dark days.
The hydraulic fracturing, or “fracking,” of natural gas deposits has become one of the most preeminent issues in the argument between natural resource profits versus environmental preservation. Some see it as a means of providing jobs, while others see it as an enormous risk to human and environmental health, including soil and water.
In 2014, activists, ranging from new Canadians to First Nations people, ascended Burnaby Mountain to make a camp on the future route of the proposed pipeline. They were willing to do whatever it took to prevent the project from going forward; a critical necessity in their eyes, if the earth was to be preserved for future generations.
When James Pollard is given a terminal cancer diagnosis, he sets about orchestrating his own death. Like any good theatre producer, he researches options into different modes of burial, and the best means and methodologies of preserving his body after death. This may sound slightly morbid, but the practicality, and often surprising amounts of humour, with which James contends with his situation allows for an openness and freedom in dealing with death.
Fattitude tackles the subject of body size prejudice from a multiplicity of perspectives including race, class, and gender. Featuring interviews and analyses from a broad range of writers, academics, activists, and artists, Fattitude assails a complex tangle of cultural and social constructs — everything from economic status to the politics of being seen.